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In this group of artists, intimacy, memory and abstraction converge in different ways, but all share a sensitivity to the short lived: the overlooked image, the half-remembered place, the unsteady boundary between what we see and what we feel. Together, they form a peaceful however insistent meditation on how implying collects in normal life.
Taken together, rendered in her distinctive painterly style, these retellings of easily-forgotten minutes demonstrate how an ordinary life, when taken a look at from a particular perspective, starts to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages describe the fragmentary nature of memory and meaning, calling photographic truth into concern by breaking down, recontextualising and repeating images. Stabilizing methodical precision with a noticeably human, always imperfect visual perceptiveness, his paintings are easy going abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings give physical kinds to images that we normally see through a screen andrapidly forget, such as stock photographs and ReCAPTCHAs. To me, her unique language hazy, distorted, discreetly disturbing shows the alienation and dissociation fundamental in a world filled with images that appears to appear and vanish ever-more rapidly. A shadow, a handstand, a sheer drape draped over a houseplant: by photographing such things, he offers them a second life in which they end up being irreversible. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a certain ahistorical quality; they link multiple histories of material experimentation and production from around the world within a special visual language. They locate the audience within landscapes that feel limitless with a low mist hanging over the horizon. Unknown, these images are deeply peaceful, welcoming you to revel in the basic pleasures of a constantly twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window showing the carriage's interior over the passing landscape; a barely-visible vehicle hidden by an ochre-yellow drape seem intentionally strange. They make me believe about the synchronised absurdity and appeal of the world in front of me, considering familiar scenes through an unknown lens. Bianca MacCall Perpetual Motion, 2023 Henry Ward's painting practice is ever-shifting. If you stand in front of one of his paintings for long enough, you might see it change in genuine time. The unclear, unpredictable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.
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